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Gamin

Object Details

Gallery Label
Augusta Savage's young nephew Ellis Ford modeled for this sculpture in 1929 while he and his family were living with her in Harlem, taking refuge there after losing their home in Florida in a hurricane. Ellis is shown with the soft cap commonly worn by newspaper boys and other working youth. Inscribed on the base is the French word gamin, a term that refers to streetwise children. This composition was widely considered to be Savage's most successful sculpture. It was so popular that the artist produced a life-sized bronze as well as numerous plaster casts like the one shown here, which she painted to look like bronze.
Savage was an activist-educator and key figure working in Harlem during the 1920s and 1930s. She mentored countless prominent artists and was an outspoken critic of racism embedded in the artworld. She was a cofounder of the Harlem Artists Guild, which secured employment for Black artists, and she helped establish the Harlem Community Art Center. In 1939 she opened the Salon of Contemporary Negro Art, the first gallery in the United States dedicated specially to exhibiting and selling works by African American artists.
Date
ca. 1929
Artist
Augusta Savage, born Green Cove Springs, FL 1892-died New York City 1962
Topic
African American
Dress\accessory\hat
Figure male\child\bust
See more items in
Smithsonian American Art Museum Collection
Department
Painting and Sculpture
On View
Smithsonian American Art Museum, 3rd Floor, North Wing
Credit Line
Smithsonian American Art Museum, Gift of Benjamin and Olya Margolin
Data Source
Smithsonian American Art Museum
Object number
1988.57
Type
Sculpture
Restrictions & Rights
Usage conditions apply
Medium
painted plaster
Dimensions
9 x 5 3/4 x 4 3/8 in. (22.9 x 14.7 x 11.2 cm.)
Record ID
saam_1988.57
Metadata Usage
Not determined
GUID
http://n2t.net/ark:/65665/vk7f2503165-056b-4c9b-8d20-e1acbb94b554

Related Object Groups

  • 4 images in a grid

    Race, Arts, and Aesthetics

Thanks to Verizon for support of this Our Shared Future: Reckoning with Our Racial Past project.
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
Thanks to Verizon for support of this Our Shared Future: Reckoning with Our Racial Past project.
These files consist of 3D scans of historical objects in the collections of the Smithsonian and may be downloaded by you only for non-commercial, educational, and personal uses subject to this disclaimer (https://3d.si.edu/disclaimer) and in accordance with the Terms of Use (https://3d.si.edu/termsofuse).
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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