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The Wounded Scout, a Friend in the Swamp

Object Details

Exhibition Label
This sculpture shows a barefoot Black man navigating a Southern swamp as he attempts to escape his enslavers. He risks his own life by stopping to aid a White Union soldier who has been wounded behind Confederate lines.
John Rogers's numerous scenes of Union efforts during the Civil War appealed to abolitionists, who purchased affordable plaster casts like this one to display in their homes. Although they celebrated emancipation, the works also reinforced the long-standing racist social order. This dynamic is also found in the literature of the period, in which a White protagonist is often paired with a Black figure "who can be assumed to be in some way bound, fixed, unfree, and serviceable." (Toni Morrison, Playing in the Dark: Whiteness and the Literary Imagination, 1992)
Label text from The Shape of Power: Stories of Race and American Sculpture November 8, 2024 -- September 14, 2025
Date
patented 1864
Artist
John Rogers, born Salem, MA 1829-died New Canaan, CT 1904
Topic
Figure group\male
African American
Occupation\military\soldier
History\United States\Civil War
State of being\emotion\friendship
State of being\illness\wound
See more items in
Smithsonian American Art Museum Collection
Department
Painting and Sculpture
On View
Smithsonian American Art Museum, 3rd Floor, North Wing
Credit Line
Smithsonian American Art Museum, Gift of John Rogers and Son
Data Source
Smithsonian American Art Museum
Object number
1882.1.5
Type
Sculpture
Restrictions & Rights
CC0
Medium
painted plaster
Dimensions
22 1/8 x 11 1/8 x 8 1/4 in. (56.3 x 28.1 x 21.0 cm)
Record ID
saam_1882.1.5
Metadata Usage
CC0
GUID
http://n2t.net/ark:/65665/vk71df0468a-bb61-44f9-930a-0b6967b85e3c

Related Object Groups

  • 4 images in a grid

    Race, Arts, and Aesthetics

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International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
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