Object Details
- Exhibition Label
- Johnson learned to work copper sheet metal in the 1920s as an assistant in the studio of the sculptor Beniamino Bufano, one of his instructors at the California School of the Fine Arts in San Francisco. The stylized oval of the face, generous lips, and wide nose reflect Johnson's aim to show the "pure American Negro." He said he wanted to depict the "natural beauty and dignity in that characteristic lip, that characteristic hair, bearing and manner." With Mask, Johnson situated the image of the black face within a dialogue about race taking place among Alain Locke, W.E.B. Du Bois, and Langston Hughes and other poets and intellectuals of the Harlem Renaissance.
- African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012
- Date
- ca. 1930-1935
- Artist
- Sargent Johnson, born Boston, MA 1887-died San Francisco, CA 1967
- Topic
- African American
- Figure female\head
- See more items in
- Smithsonian American Art Museum Collection
- Department
- Painting and Sculpture
- On View
- Smithsonian American Art Museum, 3rd Floor, North Wing
- Credit Line
- Smithsonian American Art Museum, Gift of International Business Machines Corporation
- Data Source
- Smithsonian American Art Museum
- Object number
- 1966.27.4
- Type
- Sculpture
- Restrictions & Rights
- Usage conditions apply
- Medium
- copper with gilding on walnut base
- Dimensions
- 15 3/4 × 13 3/8 × 6 1/8 in. (40 × 34 × 15.6 cm)
- Record ID
- saam_1966.27.4
Related Object Groups
3D Model