Object Details
- Label Text
- She is a vision of goodness—a protector, a nourisher, a provider. Cradling her child in her arms while focused on a distant goal in the future, she sits upright adorned with attributes of Kongo leadership and beauty, bearing elaborate scarified tattoos, filed teeth, and a smooth, serene composure. Her piercing eyes are half-closed, but stare directly ahead. She is concentrating not just on the child in her lap, but on a larger, metaphorical goal, as-yet-unrealized, on the distant horizon. Collected before 1914, this figure is one of six examples attributed to an as-yet-unnamed master artist.
- This figure likely served as a phemba, an icon associated with Kongo religious groups centered on healing and motherhood, particularly during periods in the 18th and 19th centuries when the trade in enslaved peoples was at its most disruptive in this region. Typically, maternal qualities of nourishment and protection, embodied in the gesture of this phemba, take on new meaning in such a horrific and traumatic context.
- Description
- Female figure seated crosslegged on a square plinth with a small male child across her knees. The smaller figure has one hand on his penis, one on the woman's breast. Added decoration on the female figure includes brass tacks on the forehead, inlaid glass eyes, a blue glass bead necklace, geometric scarification on the chest and back and a representation of a knotted fiber cap of high status.
- Provenance
- Belgian collector, before 1914
- Private collection, Belgium
- Jean-Pierre Jernander, Brussels
- Alan Brandt, New York, 1983
- Exhibition History
- Heroes: Principles of African Greatness, National Museum of African Art, Smithsonian Institution, Washington, D.C., November 16, 2019–October 3, 2021
- Kongo: Power and Majesty, Metropolitan Museum of Art, September 18, 2015–January 3, 2016
- Inscribing Meaning: Writing and Graphic Systems in African Art, National Museum of African Art, Smithsonian Institution, May 9- August 26, 2007; Fowler Museum at University of California, Los Angeles, October 14, 2007-February 17, 2008
- Treasures, National Museum of African Art, Smithsonian Institution, Washington, D.C., November 17, 2004-August 15, 2005
- Icons: Ideals and Power in the Art of Africa, National Museum of African Art, Smithsonian Institution, Washington, D.C., October 25, 1989-September 3, 1990
- History, Context, Materials: Selections from the Permanent Collection of the National Museum of African Art, Smithsonian Institution, Washington, D.C., November 12, 1985-January 5, 1986
- Published References
- Arnoldi, Mary Jo and Christine Mullen Kreamer. 1995. Crowning Achievements: African Arts of Dressing the Head. Los Angeles: Fowler Museum of Cultural History, University of California, p. 43, no. 2.16.
- Binkley, David, Bryna Freyer, Christine Mullen Kreamer, Andrea Nicolls and Allyson Purpura. 2011. "Building a National Collection of African Art: The Life History of a Museum." Representing Africa in American Art Museums: A Century of Collecting and Display, ed. by Kathleen Bickford Berzock and Christa Clarke. Seattle: University of Washington Press, p. 270, no. 13.3.
- Blier, Suzanne Preston. 1998. The Royal Arts of Africa: The Majesty of Form. London: Lawrence King, p. 221, no. 180.
- Cole, Herbert M. 1989. Icons: Ideals and Power in the Art of Africa. Washington, D.C.: Smithsonian Institution Press, p. 90, no. 100.
- De Smet, P.A.G.M. 1998. "Traditional Pharmacology and Medicine in Africa." Journal of Ethnopharmacology 63 (125), no. 134b.
- Dumouchelle, Kevin D. Heroes: Principles of African Greatness. Munich: Hirmer, 2023, pp. 110-111.
- Freyer, Bryna M. and Christine Mullen Kreamer. 2010. "The Collection of the National Museum of African Art Smithsonian Institution." Sculpture Review LIX (1), p. 22.
- Kerchache, Jacques, Jean-Louis Paudrat and Lucien Stephan. 1988. L'art africain. Paris: Mazenod, p. 245, no. 234.
- Kleiner, Fred S. 2008. Gardner's Art Through the Ages: A Global History (13th edition). Cengage Learning.
- Kleiner, Fred S. 2009. Gardner's Art Through the Ages: A Global History (13th edition). Cengage Learning, p. 893, no. 34-7.
- Kreamer, Christine Mullen. 2003. " A Tribute to Roy Sieber: Part 2." African Arts 36 (2), pp. 16, 19, no. 17.
- Lagamma, Alisa and Blackmore, Josiah. 2015. Kongo: Power and Majesty. New York: Metropolitan Museum of Art.
- Lehuard, Raoul. 1989. Art Bakongo: Les Centres de Style, Vol. II. Arnouville: Arts d'Afrique Noire, pp. 464-465, no. J 1-1-6.
- National Museum of African Art. 1999. Selected Works from the Collection of the National Museum of African Art. Washington, D.C.: National Museum of African Art, pp. 113-114, no. 78A.
- National Museum of African Art. 2004. Treasures. Washington, D.C.: National Museum of African Art, Smithsonian Institution.
- Park, Edwards. 1983. Treasures of the Smithsonian. Washington, D.C.: Smithsonian Books, p. 377.
- Patton, Sharon F. 2004. Treasures: Smithsonian National Museum of African Art. Washington, D.C.: National Museum of African Art, Smithsonian Institution. Folio.
- Robbins, Warren M. and Nancy I. Nooter. 1989. African Art in American Collections. Washington, D.C.: Smithsonian Institution Press, pp. 358-359, no. 931.
- Rossi, Milene C. Les Phemba: une mére un enfant des influences. Saint-Maur-des-Fossés: E´ditions Se´pia.
- Turner, Jane (ed). 1996. "Africa." The Dictionary of Art, Vol. 1. New York: Grove, p. 275, no. 40.
- Content Statement
- As part of our commitment to accessibility and transparency, the Smithsonian National Museum of African Art is placing its collection records online. Please note that some records are incomplete (missing image or content descriptions) and others reflect out-of-date language or systems of thought regarding how to engage with and discuss cultural heritage and the specifics of individual artworks. If you see content requiring immediate action, we will do our best to address it in a timely manner. Please email nmafacuratorial@si.edu if you have any questions.
- Image Requests
- High resolution digital images are not available for some objects. For publication quality photography and permissions, please contact the Eliot Elisofon Photographic Archives at https://africa.si.edu/research/eliot-elisofon-photographic-archives/
- Date
- Mid-19th to early 20th century
- Maker
- Kongo artist
- Geography
- Mayombe region, Democratic Republic of the Congo
- Topic
- Fertility
- mother and child
- male
- female
- See more items in
- National Museum of African Art Collection
- Credit Line
- Purchased with funds provided by the Smithsonian Collections Acquisition Program
- Data Source
- National Museum of African Art
- Object number
- 83-3-6
- Type
- Figure
- Restrictions & Rights
- Usage conditions apply
- Medium
- Wood (Nauclea latifolia), glass, glass beads, brass tacks, pigment
- Dimensions
- H x W x D: 25.7 x 10.5 x 10.2 cm (10 1/8 x 4 1/8 x 4 in.)
- Record ID
- nmafa_83-3-6
- Metadata Usage
- Usage conditions apply
Related Object Groups
There are restrictions for re-using this image. For more information, visit the Smithsonian's Terms of Use page .
Thanks to Verizon for support of this Our Shared Future: Reckoning with our Racial Past project.
These files consist of 3D scans of historical objects in the collections of the Smithsonian and may be downloaded by you only for non-commercial, educational, and personal uses subject to this disclaimer (https://3d.si.edu/disclaimer) and in accordance with the Terms of Use (https://3d.si.edu/termsofuse).
International media Interoperability Framework
IIIF provides researchers rich metadata and media viewing options for comparison of works across cultural heritage collections. Visit the IIIF page to learn more.
3D Model